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dhāraṇī 陀羅尼

Dhāraṇī is a synonym of mantra.

“Dhāraṇī is a Sanskrit word, interpreted to mean 'unite and hold.' Dhāraṇīs, sometimes called 'mantras,' unite all dharmas and hold limitless meanings. They are the chief, the head and the origin of all dharmas.” (DS 1)

“A dhāraṇī also 'unites and holds the three karmas' of body, mouth and mind, so that there is no violation.” (DS 73)

ALTERNATE TRANSLATIONS: magic formula, incantation, the all-encompassing

SEE ALSO: mantra

Snippet from Wikipedia: Dharani

Dharanis (IAST: dhāraṇī), also known as (Skt.) vidyās and paritas or (Pal.) parittas, are lengthier Buddhist mantras functioning as mnemonic codes, incantations, or recitations, and almost exclusively written originally in Sanskrit while Pali dharanis also exist. Believed to generate protection and the power to generate merit for the Buddhist practitioner, they constitute a major part of historic Buddhist literature. Most dharanis are in Sanskrit written in scripts such as Siddhaṃ as can be transliterated into Chinese, Korean, Japanese, Vietnamese, Sinhala, Thai and other regional scripts. They are similar to and reflect a continuity of the Vedic chants and mantras.

Dharanis are found in the ancient texts of all major traditions of Buddhism. They are a major part of the Pali canon preserved by the Theravada tradition. Mahayana sutras such as the Lotus Sutra and the Heart Sutra include or conclude with dharani. Some Buddhist texts, such as Pancarakṣa found in the homes of many Buddhist tantra tradition followers, are entirely dedicated to dharani. They are a part of the regular ritual prayers as well as considered to be an amulet and charm in themselves, whose recitation believed to allay bad luck, diseases or other calamity. They were an essential part of the monastic training in Buddhism's history in East Asia. In some Buddhist regions, they served as texts upon which the Buddhist witness would swear to tell the truth.

The dharani-genre of literature became popular in East Asia in the first millennium CE, with Chinese records suggesting their profusion by the early centuries of the common era. These migrated from China to Korea and Japan. The demand for printed dharani among the Buddhist lay devotees may have led to the development of textual printing innovations. The dharani records of East Asia are the oldest known "authenticated printed texts in the world", state Robert Sewell and other scholars. The early-eighth-century dharani texts discovered in the Bulguksa of Gyeongju, Korea are considered as the oldest known printed texts in the world.

Dharani recitation for the purposes of healing and protection is referred to as Paritta in some Buddhist regions, particularly in Theravada communities. The dharani-genre ideas also inspired Buddhist chanting practices such as the Nianfo (Chinese: 念佛; Pinyin: niànfó; Rōmaji: nenbutsu; RR: yeombul; Vietnamese: niệm Phật), the Daimoku, as well as the Koshiki texts in Japan. They are a significant part of the historic Chinese dazangjing (scriptures of the great repository) and the Korean daejanggyeong – the East Asian compilations of the Buddhist canon between the 5th and 10th centuries.

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