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Shurangama Sutra
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- Snippet from Wikipedia: Śūraṅgama Sūtra
The Śūraṅgama Sūtra (Chinese: 首楞嚴經; pinyin: Shǒuléngyán jīng, Sūtra of the Heroic March) (Taisho no. 945) is a Mahayana Buddhist sutra that has been especially influential on Korean Buddhism (where it remains a major subject of study in Sŏn monasteries) and Chinese Buddhism (where it was a regular part of daily liturgy during the Song). It was particularly important for Zen/Chan Buddhism. The doctrinal outlook of the Śūraṅgama Sūtra is that of Buddha-nature, Yogacara thought, and esoteric Buddhism.
The Śūraṅgama Sūtra was widely accepted as a sutra in East Asian Buddhism, where it has traditionally been included as part of Chinese-language Tripitakas. In the modern Taisho Tripitaka, it is placed in the Esoteric Sutra category (密教部). The sutra's Śūraṅgama Mantra is widely recited in China, Korea, Japan and Vietnam as part of temple liturgies.
Most modern academic scholars (including Mochizuki Shinko, Paul Demieville, Kim Chin-yol, Lü Cheng, Charles Muller and Kogen Mizuno), argue that the sutra is a Chinese apocryphal text that was composed in literary Chinese and reveals uniquely Chinese philosophical concerns. However, some scholars such as Ron Epstein argue that the text is a compilation of Indic materials with extensive editing in China.
The sutra was translated into Tibetan during the late eighth to early ninth century and other complete translations exist in Tibetan, Mongolian and Manchu languages (see Translations).
- Snippet from Wikipedia: Dharani
Dharanis (IAST: dhāraṇī), also known as (Skt.) vidyās and paritas or (Pal.) parittas, are lengthier Buddhist mantras functioning as mnemonic codes, incantations, or recitations, and almost exclusively written originally in Sanskrit while Pali dharanis also exist. Believed to generate protection and the power to generate merit for the Buddhist practitioner, they constitute a major part of historic Buddhist literature. Most dharanis are in Sanskrit written in scripts such as Siddhaṃ as can be transliterated into Chinese, Korean, Japanese, Vietnamese, Sinhala, Thai and other regional scripts. They are similar to and reflect a continuity of the Vedic chants and mantras.
Dharanis are found in the ancient texts of all major traditions of Buddhism. They are a major part of the Pali canon preserved by the Theravada tradition. Mahayana sutras such as the Lotus Sutra and the Heart Sutra include or conclude with dharani. Some Buddhist texts, such as Pancarakṣa found in the homes of many Buddhist tantra tradition followers, are entirely dedicated to dharani. They are a part of the regular ritual prayers as well as considered to be an amulet and charm in themselves, whose recitation believed to allay bad luck, diseases or other calamity. They were an essential part of the monastic training in Buddhism's history in East Asia. In some Buddhist regions, they served as texts upon which the Buddhist witness would swear to tell the truth.
The dharani-genre of literature became popular in East Asia in the first millennium CE, with Chinese records suggesting their profusion by the early centuries of the common era. These migrated from China to Korea and Japan. The demand for printed dharani among the Buddhist lay devotees may have led to the development of textual printing innovations. The dharani records of East Asia are the oldest known "authenticated printed texts in the world", state Robert Sewell and other scholars. The early-eighth-century dharani texts discovered in the Bulguksa of Gyeongju, Korea are considered as the oldest known printed texts in the world.
Dharani recitation for the purposes of healing and protection is referred to as Paritta in some Buddhist regions, particularly in Theravada communities. The dharani-genre ideas also inspired Buddhist chanting practices such as the Nianfo (Chinese: 念佛; Pinyin: niànfó; Rōmaji: nenbutsu; RR: yeombul; Vietnamese: niệm Phật), the Daimoku, as well as the Koshiki texts in Japan. They are a significant part of the historic Chinese dazangjing (scriptures of the great repository) and the Korean daejanggyeong – the East Asian compilations of the Buddhist canon between the 5th and 10th centuries.
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