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Shurangama Mantra
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- Snippet from Wikipedia: Shurangama Mantra
The Shurangama or Śūraṅgama mantra is a dhāraṇī or long mantra of Buddhist practice in East Asia. Although relatively unknown in modern Tibet, there are several Śūraṅgama Mantra texts in the Tibetan Buddhist canon. It has strong associations with the Chinese Chan Buddhist tradition.
The mantra was, according to the opening chapter of the Śūraṅgama Sūtra, historically transmitted by Gautama Buddha to Manjushri to protect Ananda before he had become an arhat. It was again spoken by the Buddha before an assembly of monastic and lay adherents.
Like the popular six-syllable mantra "om mani padme hum" and the Nīlakaṇṭha Dhāraṇī, the Śūraṅgama mantra is synonymous with practices of Avalokiteśvara, an important bodhisattva in both East Asian Buddhism and Tibetan Buddhism. The Śūraṅgama Mantra also extensively references Buddhist deities such as the bodhisattvas Manjushri, Mahākāla, Sitatapatra, Vajrapani and the Five Tathagatas, especially Bhaisajyaguru. It is often used for protection or purification, as it is often recited as part of the daily morning session in monasteries.
Within the Śūraṅgama Sūtra , the Sanskrit incantation (variously referred to as dhāraṇī or mantra) contained therein, is known as the Sitātapatroṣṇīṣa dhāraṇī, The "Śūraṅgama mantra" (Chinese: 楞嚴咒) is well-known and popularly chanted in East Asian Buddhism, where it is very much related to the practice of the "White Parasol Dhāraṇī" (Chinese: 大白傘蓋陀羅尼) of Sitatapatra. In Tibetan Buddhism, it is the "White Umbrella" (Wylie: gdugs dkar)..
- Snippet from Wikipedia: Dharani
Dharanis (IAST: dhāraṇī), also known as (Skt.) vidyās and paritas or (Pal.) parittas, are lengthier Buddhist mantras functioning as mnemonic codes, incantations, or recitations, and almost exclusively written originally in Sanskrit while Pali dharanis also exist. Believed to generate protection and the power to generate merit for the Buddhist practitioner, they constitute a major part of historic Buddhist literature. Most dharanis are in Sanskrit written in scripts such as Siddhaṃ as can be transliterated into Chinese, Korean, Japanese, Vietnamese, Sinhala, Thai and other regional scripts. They are similar to and reflect a continuity of the Vedic chants and mantras.
Dharanis are found in the ancient texts of all major traditions of Buddhism. They are a major part of the Pali canon preserved by the Theravada tradition. Mahayana sutras such as the Lotus Sutra and the Heart Sutra include or conclude with dharani. Some Buddhist texts, such as Pancarakṣa found in the homes of many Buddhist tantra tradition followers, are entirely dedicated to dharani. They are a part of the regular ritual prayers as well as considered to be an amulet and charm in themselves, whose recitation believed to allay bad luck, diseases or other calamity. They were an essential part of the monastic training in Buddhism's history in East Asia. In some Buddhist regions, they served as texts upon which the Buddhist witness would swear to tell the truth.
The dharani-genre of literature became popular in East Asia in the first millennium CE, with Chinese records suggesting their profusion by the early centuries of the common era. These migrated from China to Korea and Japan. The demand for printed dharani among the Buddhist lay devotees may have led to the development of textual printing innovations. The dharani records of East Asia are the oldest known "authenticated printed texts in the world", state Robert Sewell and other scholars. The early-eighth-century dharani texts discovered in the Bulguksa of Gyeongju, Korea are considered as the oldest known printed texts in the world.
Dharani recitation for the purposes of healing and protection is referred to as Paritta in some Buddhist regions, particularly in Theravada communities. The dharani-genre ideas also inspired Buddhist chanting practices such as the Nianfo (Chinese: 念佛; Pinyin: niànfó; Rōmaji: nenbutsu; RR: yeombul; Vietnamese: niệm Phật), the Daimoku, as well as the Koshiki texts in Japan. They are a significant part of the historic Chinese dazangjing (scriptures of the great repository) and the Korean daejanggyeong – the East Asian compilations of the Buddhist canon between the 5th and 10th centuries.
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